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   <title>Ecophon Acoustic Bulletin</title>
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   <id>tag:www.acousticbulletin.com,2009:/EN//2</id>
   <updated>2009-06-29T11:24:16Z</updated>
   <subtitle>A forum for Ecophon partners in room acoustics</subtitle>
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<entry>
   <title>Can the sound of a voice move a skyscraper?</title>
   <link rel="alternate" type="text/html" href="http://www.acousticbulletin.com/EN/2009/06/can_the_sound_of_a_voice_move.html" />
   <id>tag:www.acousticbulletin.com,2009:/EN//2.485</id>
   
   <published>2009-06-29T10:53:38Z</published>
   <updated>2009-06-29T11:24:16Z</updated>
   
   <summary> Source image: Dynamic Architecture Yesterday, one of my colleagues, forwarded a news item on BBC news. Although it has not much to do with acoustics, it is worth mentioning. Italian architect David Fisher designed the world&apos;s first moving building,...</summary>
   <author>
      <name>Marc Janssen</name>
      <uri>http://www.ecophon.com</uri>
   </author>
         <category term="ACOUSTICS MISCELLANEOUS" scheme="http://www.sixapart.com/ns/types#category" />
   
   
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<em>Source image: Dynamic Architecture</em>

Yesterday, one of my colleagues, forwarded a news item on BBC news. Although it has not much to do with acoustics, it is worth mentioning. 
Italian architect David Fisher designed <strong>the world's first moving building</strong>, an 80-storey tower with revolving floors giving a shifting shape. The 420-metre (1,378-foot) building's apartments would spin a full 360 degrees, <strong>at voice command</strong>, around a central column by means of 79 giant power-generating wind turbines located between each floor. 

<a href="http://news.bbc.co.uk/1/hi/world/americas/7472559.stm">Click here to see the animation about the first building that rotates, moves, and changes shape</a>


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      <![CDATA[I  call these buildings designed by time, shaped by life," said the Florence-based architect, who has never built a sky-scraper before.

<a href="http://news.bbc.co.uk/2/hi/middle_east/7472722.stm">For more info click here</a>
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   </content>
</entry>
<entry>
   <title>Test Code for sound absorption measurements.</title>
   <link rel="alternate" type="text/html" href="http://www.acousticbulletin.com/EN/2009/06/test_code_for_sound_absorption.html" />
   <id>tag:www.acousticbulletin.com,2009:/EN//2.484</id>
   
   <published>2009-06-25T12:18:32Z</published>
   <updated>2009-06-25T17:04:31Z</updated>
   
   <summary> CEN/TC 126, Building acoustics, has created a working group, WG 11, to develop Test Codes for suspended, acoustic ceilings. WG 11 started its work about a year ago with Nils-Åke Andersson from Saint-Gobain Ecophon as convener and has now...</summary>
   <author>
      <name>Nils-Åke Andersson</name>
      <uri>http://www.ecophon.com</uri>
   </author>
         <category term="REGULATION AND STANDARDIZATION" scheme="http://www.sixapart.com/ns/types#category" />
   
   
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      <![CDATA[<img alt="cen-logo.gif" src="http://www.acousticbulletin.com/EN/cen-logo.gif" width="286" height="78" />

<a href="http://www.cen.eu/CENORM/BusinessDomains/TechnicalCommitteesWorkshops/CENTechnicalCommittees/WP.asp?param=6108&title=CEN/TC%20126">CEN/TC 126</a>, Building acoustics, has created a working group, <a href="http://www.cen.eu/CENORM/Sectors/TechnicalCommitteesWorkshops/CENTechnicalCommittees/TCStruc.asp?param=6108&title=CEN%2FTC+126">WG 11</a>, to develop Test Codes for suspended, acoustic ceilings. WG 11 started its work about a year ago with Nils-Åke Andersson from Saint-Gobain Ecophon as convener and has now about 15 participants from around Europe. The reason doing this work is the problems with differences in measurement results from laboratories. ]]>
      Such measurement results are used for the CE marking of products and the uncertainty of results leads to unfair competition and sometimes even misleading information. Test Codes are supposed to be a compliment to existing standards and shall not supersede them, but might later on be incorporated in revisions of the standards.

WG 11 has decided to focus on sound absorption measurements (EN ISO 354) to start with and will later on start up work with flanking transmission measurements (EN ISO 10848-2). There have been 3 meetings so far, where the main topics were to identify possible reasons for the uncertainty of results and to identify laboratories doing measurement for CE marking. 
One scope for WG 11 is to organize RRT (Round Robin Test) with measurements according to Test Code suggestions developed. RRT will also generate data for calculation of reproducibility or standard deviation to be included in future standard revision. More than 20 European laboratories have been identified doing sound absorption measurements for CE marking and they are now invited to participate in a RRT, which is supposed to start up this autumn.

Next meeting with WG 11 is scheduled to be held directly after Euronoise in Edinburgh on October 29th.

   </content>
</entry>
<entry>
   <title>Acoustics in Healthcare Environments - Notes from IOA Conference</title>
   <link rel="alternate" type="text/html" href="http://www.acousticbulletin.com/EN/2009/06/acoustics_in_healthcare_enviro.html" />
   <id>tag:www.acousticbulletin.com,2009:/EN//2.483</id>
   
   <published>2009-06-18T12:24:57Z</published>
   <updated>2009-06-18T13:46:01Z</updated>
   
   <summary> On Tuesday June 16th around 50 delegates participated in a conference in Manchester called &quot;Acoustics in Healthcare Envrionments&quot;. The conference, organised by the Institute of Acoustics in the UK, was hosted by Adrian Popplewell, Ramboll UK. Seven papers were...</summary>
   <author>
      <name>Marc Janssen</name>
      <uri>http://www.ecophon.com</uri>
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.acousticbulletin.com/EN/">
      <![CDATA[<img alt="IOA%20conference.JPG" src="http://www.acousticbulletin.com/EN/IOA%20conference.JPG" width="250" height="141" /></a>

On Tuesday June 16th around 50 delegates participated in a conference in Manchester called <a href="http://www.ioa.org.uk/viewagroupdocs.php?agroupdocsID=380">"Acoustics in Healthcare Envrionments"</a>. The conference, organised by the <a href="http://www.ioa.org.uk/">Institute of Acoustics </a>in the UK, was hosted by Adrian Popplewell, Ramboll UK. Seven papers were presented during the day. One of the speakers, Anthony Thomas of Ecophon UK, wrote some notes especially for Acoustic Bulletin. Please click on the link below to read them.

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      <![CDATA[<img alt="conference%20venue.JPG" src="http://www.acousticbulletin.com/EN/conference%20venue.JPG" width="250" height="187" />

<strong>HTM08-01 – The new design guide - Richard Budd, SRL</strong>
Richard explained how the new Guidance document was produced to give achievable acoustic results in healthcare facilities in a practical, informative document.  He stressed that the HTM is not law, and would only be mandatory when the document was written into a construction contract.  He strongly recommended an Acoustic Statement be produced for every project, and that derogation should be avoided.

<strong>Research into hospital acoustics – review and overview – Professor Bridget Shield, London South Bank University.</strong>
Bridget commented that research articles are predominantly from Healthcare, rather than Acoustics, journals, and undertaken by HC staff with little knowledge of acoustics.   She noted that there is a lack of UK studies, although the LSBU’s MARU, in collaboration with Acoustics Group, are currently researching Acoustic Design for Inpatient Facilities in Hospitals.  She commented that Design of Infection Control is one of a number of factors affecting acoustic design in hospitals.

<strong>Sonic issues and resolutions for varied patient groups – Richard Mazuch, Nightingale Associates</strong>
Richard expanded presentation topics to include how healing within various patient groups can be affected by (positive) sound, eg music, and well as other sensory interventions (smell, light, colour, etc), and explained how negative sounds (noise) and other inappropriate conditions can have detrimental effects in patient outcomes.

<strong>Design of restorative environments for healthcare using the Tranquility Rating Assessment Tool – Greg Watts, University of Bradford</strong>
Greg defined tranquility, and explained some of the research he and his team had undertaken.  He identified important factors, and gave examples of physiological benefits of moderating factures.  He explained how perceived tranquility is affected by soundscape, landscape and moderating factors, and discussed the practical application of his tranquility prediction tool.

<strong>Effects of non-acoustics factors on healthcare acoustics – Michael Phiri, University of Sheffield</strong>
Michael identified non-acoustic factors, including cleaning regimes and infection control, which impact building acoustics, and evaluated the impact of some of these factors.  He highlighted a number of noise-generating items and activities, and stressed the need for the development of a framework which recognises the interrelationships between acoustics and other design considerations.  He stated the need for greater involvement of acoustic consultants at the critical stages of the building process – both pre- and post project.

<img alt="speakers.JPG" src="http://www.acousticbulletin.com/EN/speakers.JPG" width="400" height="300" />
<em>Front Row (from left to right): Richard Budd, Anthony Thomas, Michael Phiri, Rosemary Glanville</em>

<strong>Research into the effect of the sound environment on staff and patients in healthcare facilities – Anthony Thomas, Saint-Gobain Ecophon</strong>
Anthony demonstrated that despite a growing awareness of hospital noise it is a major and growing problem in the UK.  Using research examples, he talked about the negative effects a noisy environment can have, such as longer patient recovery due to sleep disturbance, and an increased need for medication in post-operative recovery rooms.  Anthony also referred to studies showing how the more vulnerable patient groups,ie ICU and, in particular NICU, can suffer significant long-term physiological effects when exposed to high noise levels. In contrast, research indicates how improved acoustic conditions can reduce help patient readmission rates and improve staff morale and efficiency

<strong>The experience of using HTM08-01 in smaller healthcare facilities – Philip Hankin, Cole Jarman</strong>
Referring to projects such as local GPP centres and LIFT schemes, Philip looked some of the issues facing an acoustician  He explained how the document has benefits in providing clarity and good advice on compliance, as well as tying in well with BREEAM Healthcare.  On the negative side, he mentioned a lack of guidance for audiology and how for example insufficient co-ordination between HTM08-01 and Infection Control might be used to argue against absorbent finishes.  He has found the document easy to use when deign issues are ready accepted by the projects design team.
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   </content>
</entry>
<entry>
   <title>A Unique Acoustical Experience At The Palais de la Découverte, IN PARIS</title>
   <link rel="alternate" type="text/html" href="http://www.acousticbulletin.com/EN/2009/06/a_unique_acoustical_experience.html" />
   <id>tag:www.acousticbulletin.com,2009:/EN//2.482</id>
   
   <published>2009-06-17T11:07:54Z</published>
   <updated>2009-07-01T14:49:12Z</updated>
   
   <summary> Some partners of the Week of Sound have collaborated to provide the visitors of the Palais de la Découverte in Paris with a unique acoustic corridor walk through experience....</summary>
   <author>
      <name>Colin Campbell</name>
      
   </author>
         <category term="- OFFICES" scheme="http://www.sixapart.com/ns/types#category" />
   
   
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      <![CDATA[<img alt="COULOIR%2520DUSILENCEPALAISDECOUVERTE.jpg" src="http://www.acousticbulletin.com/EN/COULOIR%2520DUSILENCEPALAISDECOUVERTE.jpg" width="400" height="100" />
Some partners of the <a href="http://www.lasemaineduson.org/">Week of Sound </a>have collaborated to provide the visitors of the <a href="http://www.palais-decouverte.fr/index.php?id=accueil2&no_cache=1">Palais de la Découverte </a>in Paris with a unique acoustic corridor walk through experience.


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      <![CDATA[<img alt="COULOIR%2520DU%2520SILENCE%2520PALAIS%2520DECOUVERTE%2520PHOTO.jpg" src="http://www.acousticbulletin.com/EN/COULOIR%2520DU%2520SILENCE%2520PALAIS%2520DECOUVERTE%2520PHOTO.jpg" width="200" height="350" />
: front view of the corridor’s side walls

The corridor offers a unique acoustical experience for those heading to the « Sounds and Vibrations section » of the Palais. In a recent Note Acoustique (French Acoustic Bulletin)newsletter, one can read: "One of the corridors of the Palais has been fitted with sound absorbing panels. Sound energy is lost by friction, transformed into heat when air vibrates in the air gaps between the fibres. That way, this « relaxing » corridor  reduces the sound intensity coming from either end of the corridor. Come and experience this feeling and enjoy the shows « Sound for everybody » and « A timbre for a sound ».

<img alt="PLAN%2520COULOIR%2520DU%2520SILENCE%2520PALAIS%2520DECOUVERTE.bmp" src="http://www.acousticbulletin.com/EN/PLAN%2520COULOIR%2520DU%2520SILENCE%2520PALAIS%2520DECOUVERTE.bmp" width="492" height="215" />
<em>A plan view</em>

<a href="http://www.acousticbulletin.com/FR/2009/06/une_experience_acoustique_inau.html">click here to go directly to the original item on the French version of Acoustic Bulletin </a>

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   </content>
</entry>
<entry>
   <title>Euronoise 2009 (Edinburgh) 26-28 October</title>
   <link rel="alternate" type="text/html" href="http://www.acousticbulletin.com/EN/2009/06/euronoise_2009_edinburgh_2628.html" />
   <id>tag:www.acousticbulletin.com,2009:/EN//2.481</id>
   
   <published>2009-06-16T11:01:39Z</published>
   <updated>2009-06-18T12:16:33Z</updated>
   
   <summary> Euronoise is the European conference on noise control, co-ordinated by the EAA Technical Committee Noise and organised by a national acoustical society on behalf of the European Acoustics Association (EAA). Edinburgh in Scotland is the setting for the 8th...</summary>
   <author>
      <name>Colin Campbell</name>
      
   </author>
         <category term="- EVENTS" scheme="http://www.sixapart.com/ns/types#category" />
   
   
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      <![CDATA[<img alt="euronoise.jpg" src="http://www.acousticbulletin.com/EN/euronoise.jpg" width="200" height="150" />
<a href="www.euronoise2009.org.uk"><strong>Euronoise</strong></a> is the European conference on noise control, co-ordinated by the EAA Technical Committee Noise and organised by a national acoustical society on behalf of the European Acoustics Association (EAA). 
Edinburgh in Scotland is the setting for the 8th European Conference on Noise Control
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      <![CDATA[<img alt="Euronoise.bmp" src="http://www.acousticbulletin.com/EN/Euronoise.bmp" width="290" height="117" />
Edinburgh is an intriguing host city, rich in history and culture. The conference will be held at the Edinburgh International Conference Centre (EICC), which is in the heart of this dynamic city. With world class facilities, this is the perfect environment for a successful event. 
The Conference programme will consist of key-note lectures, invited and contributed papers in structured parallel sessions, workshops and poster presentations. 
Final papers are to be submitted by 30th June

Ecophon is one of the Gold Sponsors for the conference and will sponsor the Chairman’s Reception and Dinner, have an exhibition stand and present 4 papers during conference.

The four papers will support much of Ecophon’s ongoing work around how sound affects people by promoting the benefits and consideration of <a href="http://www.ecophon-international.com/templates/weblistpage____100058.aspx">Room Acoustic Comfort™</a> focusing on the interaction between person, room and activity.

Our papers will cover a range of subjects: Acoustics in Office premises; “Is it possible to create a good working environment in an open plan office?” and “Exploring acoustic parameters for open plan offices”. Acoustics in Healthcare “Room Acoustic Comfort™ in healthcare premises” and Acoustics in Education; “Noise level reduction in secondary school classrooms by acoustic treatment”.
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<entry>
   <title>2009 TINNITUS DISCOVERY in New Zealand</title>
   <link rel="alternate" type="text/html" href="http://www.acousticbulletin.com/EN/2009/06/2009_tinnitus_discovery_in_new.html" />
   <id>tag:www.acousticbulletin.com,2009:/EN//2.480</id>
   
   <published>2009-06-15T09:22:24Z</published>
   <updated>2009-06-15T09:33:45Z</updated>
   
   <summary>Coming up soon in New Zeeland is a symposium on tinnitus. This meeting will be a great opportunity for tinnitus clinicians and researchers to join forces and updated their knowledge on this subject....</summary>
   <author>
      <name>Carsten Svensson</name>
      
   </author>
         <category term="- EVENTS" scheme="http://www.sixapart.com/ns/types#category" />
         <category term="RESEARCH" scheme="http://www.sixapart.com/ns/types#category" />
   
   
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      Coming up soon in New Zeeland is a symposium on tinnitus. This meeting will be a great opportunity for tinnitus clinicians and researchers to join forces and updated their knowledge on this subject. 
      <![CDATA[This "Asia & Pacific Tinnitus Symposium" will tale place at the National Maritime Museum, Auckland, New Zealand, 11 - 12 September 2009. 

Read <a href="http://www.fmhs.auckland.ac.nz/soph/depts/audiology/tinnitus_discovery.aspx">here</a> as to get more detailed information!  

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   </content>
</entry>
<entry>
   <title>Evidence Based Design – quieter hospitals improve patient outcomes</title>
   <link rel="alternate" type="text/html" href="http://www.acousticbulletin.com/EN/2009/06/evidence_based_design_quieter.html" />
   <id>tag:www.acousticbulletin.com,2009:/EN//2.479</id>
   
   <published>2009-06-12T06:49:13Z</published>
   <updated>2009-06-12T13:34:15Z</updated>
   
   <summary> Evidence Based Hospital Design (EBD) is a new field that guides health care construction. Research indicates that well-designed physical settings play an important role in helping hospitals to support patients healing and making hospitals better places for staff to...</summary>
   <author>
      <name>Katrin Bergmark</name>
      
   </author>
         <category term="- HEALTH CARE PREMISES" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.acousticbulletin.com/EN/">
      <![CDATA[<img alt="DSC00156.JPG" src="http://www.acousticbulletin.com/EN/DSC00156.JPG" width="210" height="157" />

Evidence Based Hospital Design (EBD) is a new field that guides health care construction. Research indicates that well-designed physical settings play an important role in helping hospitals to support patients healing and making hospitals better places for staff to work. The findings support the importance of improving a range of design characteristics or interventions, including good acoustic environments, nature distractions and daylight. 

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      <![CDATA[The state of knowledge of EBD has grown rapidly in recent years. And today we know that a building exerts a powerful force on the delivery of health care. Studies suggest that natural light, quiet surroundings and scenes of nature can, among other things, reduce patient stress.

“Design is not just focusing on making new hospitals pretty and nice. It’s focusing on the patient outcomes we want from building design, says Anjali Joseph, director of research at the <a href="http://www.healthdesign.org/">Center for Health Design</a>.

<a href="http://www.healthdesign.org/hcleader/HCLeader_5_LitReviewWP.pdf">Read more about Evidence Based Design</a> in the report from the Center for Health Design.
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   </content>
</entry>
<entry>
   <title>Grand Designs on School Acoustics</title>
   <link rel="alternate" type="text/html" href="http://www.acousticbulletin.com/EN/2009/06/grand_designs_on_school_acoust.html" />
   <id>tag:www.acousticbulletin.com,2009:/EN//2.478</id>
   
   <published>2009-06-11T07:58:29Z</published>
   <updated>2009-06-11T09:38:25Z</updated>
   
   <summary> An impressive initiative by the National Deaf Children&apos;s Society (NDCS) and Grand Designs Kevin McCloud involving 50 MPs, is calling for government to ensure that new schools meet national standards for acoustics. The call comes after Freedom of Information...</summary>
   <author>
      <name>Colin Campbell</name>
      
   </author>
         <category term="- EDUCATIONAL PREMISES" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.acousticbulletin.com/EN/">
      <![CDATA[<img alt="NDCS.bmp" src="http://www.acousticbulletin.com/EN/NDCS.bmp" width="185" height="199" />
An impressive initiative by the <strong><a href="http://www.ndcs.org.uk/">National Deaf Children's Society (NDCS</a>)</strong> and <strong>Grand Designs Kevin McCloud involving 50 MPs</strong>, is calling for government to ensure that new schools meet national standards for acoustics. The call comes after Freedom of Information Act data received by NDCS showed that only 21% of the local authorities in England that responded had new schools with acoustics meeting the requirements set out in Building Bulletin 93 
 
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      <![CDATA[Read more about this in a recent <a href="http://www.building.co.uk/story.asp?storycode=3142437&channel=71&origin=bldgtechnicalnewsletter">Building magazine </a>article.
The NDCS have a real insight into the reality for deaf children in mainstream schools and have recently highlighted new figures which show that deaf children's GCSE results continue to lag behind those of all children, and may even be falling further behind. <a href="http://http://www.ndcs.org.uk/about_us/campaigns/england/campaign_news/data_2008.html">Click here</a>;
Supporting action regarding these new figures the NDCS's UK-wide campaign report, Must do better!, set out the barriers that are holding deaf children back and recommendations for Government action. <a href="http://http://www.ndcs.org.uk/about_us/campaigns/england/close_the_gap/index.html#contentblock2">Click here</a>;
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   </content>
</entry>
<entry>
   <title>Shopping music – influencing you either you like it or not!</title>
   <link rel="alternate" type="text/html" href="http://www.acousticbulletin.com/EN/2009/06/shopping_music_influencing_you.html" />
   <id>tag:www.acousticbulletin.com,2009:/EN//2.477</id>
   
   <published>2009-06-09T14:44:48Z</published>
   <updated>2009-06-11T09:58:08Z</updated>
   
   <summary> Earlier this year the founder of the “elevator music”, Muzak, went bankrupt! But the business of background music, making you shop more, is still successful....</summary>
   <author>
      <name>Carsten Svensson</name>
      
   </author>
         <category term="ACOUSTICS MISCELLANEOUS" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.acousticbulletin.com/EN/">
      <![CDATA[<img alt="800px-Mall_at_Short_Hills_interior%5B1%5D.jpg" src="http://www.acousticbulletin.com/EN/800px-Mall_at_Short_Hills_interior%5B1%5D.jpg" width="250" height="160" />
Earlier this year the founder of the “elevator music”, Muzak, went bankrupt! But the business of background music, making you shop more, is still successful. ]]>
      <![CDATA[Matching the music with the target group is important! It is a matter of finding the appropriate sound level. Too high sound level might be disturbing. But then again, some shops have rather high sound levels since they target young people. 

The father of background music, George Squier, applied for a patent already 1922 with regards to distributing music via the electrical lines in buildings. Inspired by Kodak, he named his company Muzak, and background music was connected to psychological research.  

One company working with background music is Musicpartner. They tailor make music for companies and distribute it either via satellite or internet. They say they that two things are important. The function: how the brain reacts. The identification: What perception the customer has about themselves through the music. 

Music filling the boutique! (In Swedish) 
<a href="http://sydsvenskan.se/kultur-och-nojen/article425629/Musiken-som-fyller-butiken.html">Read more:</a> 

What is Muzak? (in English) 
<a href="http://www.muzak.com/">Read more</a>: 

About Muzak and background music. (in English)
<a href="http://en.wikipedia.org/wiki/Muzak">Read more</a>: 

MusicPartner (in English)
<a href="http://www.musicpartner.se/index.asp?fu_id=104">Read more</a>: 




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</entry>
<entry>
   <title>I.O.A. TO HOLD &quot;ACOUSTICS IN HEALTHCARE ENVIRONMENTS&quot; MEETING, in JUNE 2009</title>
   <link rel="alternate" type="text/html" href="http://www.acousticbulletin.com/EN/2009/05/ioa_to_hold_acoustics_in_healt.html" />
   <id>tag:www.acousticbulletin.com,2009:/EN//2.472</id>
   
   <published>2009-05-18T12:04:49Z</published>
   <updated>2009-06-02T10:08:10Z</updated>
   
   <summary> The Building Acoustics Group of the UK&apos;s Institute of Acoustics has organised a meeting in Manchester on 16th June 2009. Entitled &quot;Acoustics in Healthcare Environments&quot;, it will be held at the Victioria &amp; Albert Hotel, and will discuss Key...</summary>
   <author>
      <name>Anthony Thomas</name>
      
   </author>
         <category term="- HEALTH CARE PREMISES" scheme="http://www.sixapart.com/ns/types#category" />
         <category term="ACOUSTICS MISCELLANEOUS" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.acousticbulletin.com/EN/">
      <![CDATA[<img alt="IOA%20logo.jpg" src="http://www.acousticbulletin.com/EN/IOA%20logo.jpg" width="250" height="26" />

The <em>Building Acoustics Group</em> of the UK's <strong><a href="http://www.ioa.org.uk/">Institute of Acoustics</a></strong> has organised a meeting in Manchester on 16th June 2009.  Entitled <strong>"<a href="http://www.ioa.org.uk/viewagroupdocs.php?agroupdocsID=380">Acoustics in Healthcare Environments</a>"</strong>, it will be held at the Victioria & Albert Hotel, and will discuss Key Issues relating to exactly how environmental acoustics affect healthcare outcomes.
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      <![CDATA[The presentations will be made by speakers from <em>Sound Research Laboratories, Nightingale Associates, University of Bradford, Saint-Gobain Ecophon, University of Sheffield, Berry Environmental Ltd, and Cole Jarman.</em>

Full details can be found on the <a href="http://www.ioa.org.uk/viewupcoming.asp">IOA's Meetings</a> web page. To book a place please email <a href="mailto:linda.canty@ioa.org.uk">Linda Canty</a> or phone 01707 848195.]]>
   </content>
</entry>
<entry>
   <title>Noise Action Week (UK) 18-22 May 2009</title>
   <link rel="alternate" type="text/html" href="http://www.acousticbulletin.com/EN/2009/05/noise_action_week_in_the_uk.html" />
   <id>tag:www.acousticbulletin.com,2009:/EN//2.474</id>
   
   <published>2009-05-17T10:09:24Z</published>
   <updated>2009-05-19T08:36:50Z</updated>
   
   <summary> Noise Action Week in the UK aims to raise awareness about the health effects such as stress, excessive noise can cause for us all. During Noise Action Week hundreds of organisations involved in managing noise across the UK, including...</summary>
   <author>
      <name>Colin Campbell</name>
      
   </author>
         <category term="ACOUSTICS MISCELLANEOUS" scheme="http://www.sixapart.com/ns/types#category" />
   
   
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      <![CDATA[<a href="http://www.acousticbulletin.com/EN/Children%20holding%20ears.jpg"><img alt="Children%20holding%20ears.jpg" src="http://www.acousticbulletin.com/EN/Children%20holding%20ears-thumb.jpg" width="150" height="187" /></a>

Noise Action Week in the UK aims to raise awareness about the health effects such as stress, excessive noise can cause for us all.

During Noise Action Week hundreds of organisations involved in managing noise across the UK, including local authority noise, housing, health teams, antisocial behaviour teams, housing organisations, mediation services, schools and others, coordinate events at local level to educate and inform people about noise, the impact it has and how to reduce it. 
<a href="http://www.environmental-protection.org.uk/noiseactionweek/">http://www.environmental-protection.org.uk/noiseactionweek/</a>
The Institute of Acoustics is a sponsor for the week
<a href="http://www.ioa.org.uk/">http://www.ioa.org.uk/</a>]]>
      <![CDATA[See what events have happened in previous years;

Advice on reducing noise nuisance from pubs and clubs 
Talks, workshops and competitions in schools 
Promoting intruder alarm registration 
Local surveys identifying types of noise problems 
Promoting practical solutions to dog barking 
Awareness raising on reducing noise around the home
Noise Action Week also receives a significant amount of press coverage at national and local level
<a href="http://www.environmental-protection.org.uk/noiseactionweek/about/">http://www.environmental-protection.org.uk/noiseactionweek/about/</a>]]>
   </content>
</entry>
<entry>
   <title>11 COMMANDMENTS TO PROTECT YOUR HEARING</title>
   <link rel="alternate" type="text/html" href="http://www.acousticbulletin.com/EN/2009/05/11_commandments_to_protect_you.html" />
   <id>tag:www.acousticbulletin.com,2009:/EN//2.471</id>
   
   <published>2009-05-13T12:05:21Z</published>
   <updated>2009-05-13T13:28:40Z</updated>
   
   <summary> Reported in Ecophon Acoustic Bulletin (November 3, 2008) screening of primary school pupils’ hearing wasn’t a research program only. One of the main tasks was to build awareness toward hearing protection and noise control. A short guide for children,...</summary>
   <author>
      <name>Mikołaj Jarosz</name>
      
   </author>
         <category term="RESEARCH" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.acousticbulletin.com/EN/">
      <![CDATA[<img alt="_MG_2505-ma%C5%82y.JPG" src="http://www.acousticbulletin.com/EN/_MG_2505-ma%C5%82y.JPG" width="428" height="285" />

Reported in Ecophon Acoustic Bulletin (November 3, 2008) screening of  primary school pupils’ hearing wasn’t a research program only. One of the main tasks was to build awareness  toward hearing protection and noise control. A short guide for children, parents and teachers has been prepared, with advises  how to protect hearing and how to find first signs of problems. Polish readers can have a look at original text <a href="http://www.sponin.org.pl/pdf/broszura.pdf">here</a>. Less fluent in Polish can click link below for English translation.]]>
      1. Avoid noise – unwanted sound that can be harmful for your health. Noise is a cause of irritation and tiredness, headache and sleeplessness. That has an negative impact on your efficiency at school and work. High level noise can destroy your hearing but also may drive to heart diseases, stomach ulcers and neurosis.

2. Listen silent and moderated sounds that are similar in its level to natural ones. Sounds that are pleasant and not causing tiredness, irritation, headache and tinnitus (constant noise in ears, heard in silence). Don’t follow yours reckless colleagues feeding themselves with cacophony. 

3. Save your ears. Listen to the music using loudspeakers rather than earphones. Adjust music’s volume to the safe level – you should be able to understand somebody talking to you when music is on.  

4. Save your ears and whole organism. Listen to the music using full frequency band. Low frequency (bass) loud music and vibrations affects negatively our hearing apparatus but also our psyche, emotions, internal secretions driving to serious psychosomatic malfunctions.

5. Loud club or disco noise causes, at the beginning, so called hearing temporary threshold shift. That means temporary partial hearing loss as a noise exposure effect. After certain time of recovery, normal hearing sensitivity returns. The depth and duration of that effect depends on noise level and exposition time. If exposition to high noise is regular, the second stage is tinnitus – constant noise (whistle) heard in ears in silence. Finally, frequent noise expositions repeated for certain time drives to PTS: permanent threshold shift – irreversible hearing loss. 

6. Playing with petards and fireworks, shooting firearms without earplugs leads to deafness. Using fireworks etc., you have remember, that it can be more harmful for accompanying  persons, that for you yourself. Person that launch firework is, more or less, prepared for explosion – both mentally and physically (he can simple plug his ears in right moment). Somebody not warned, standing close to you could be shocked by sudden burst. Also don’t shout  directly to someone’s ear, don’t use for similar purpose any music instruments (trumpet for instance).   

7. If involved in fight – protect your head.  Head injures often cause hearing loss. Flat palm hit to the ear can be easily reason of  drum head (membrane) perforation.

8. Hygiene. Wash your ears with soap water and dry it up with towel. Don’t put any items to external auditory canal. Cosmetic buds are not for ears! When you use them to “clean” your ear, you are destroying natural mechanism of self-cleaning, and just part of ear wax is removed. The rest is pushed to the end of auditory canal like powder in canon barrel. That result in building wax plug that has to be removed by laryngologist. By putting cosmetic sticks into ear, you can also easily damage your drum head. 

9. Visit laryngologist when you hear whistling or other constant sound in perfect silence, when you have difficulties with understanding teacher (at least bigger that your school mates), when you are the only person in your group/family that tends to watch TV louder, when you suffer pain while being exposed to noise (e.g. during noisy break at school).

10. Frequent, returning upper airways infections, otitis (ear infection), allergies, snoring, tonsillitis (tonsil infection) should be a subject of medical consultations with laryngologist. 

11. If you have problems with writing from listening, with reading, with concentration – visit specialist and ask for hearing examination. 

   </content>
</entry>
<entry>
   <title>PETER ZUMTHOR GETS PRITZKER PRIZE</title>
   <link rel="alternate" type="text/html" href="http://www.acousticbulletin.com/EN/2009/05/peter_zumthor_gets_pritzker_pr.html" />
   <id>tag:www.acousticbulletin.com,2009:/EN//2.470</id>
   
   <published>2009-05-11T15:34:57Z</published>
   <updated>2009-06-18T12:24:34Z</updated>
   
   <summary> Peter Zumthor, Swiss architect, sometimes called “the poet of the silence”, was awarded a Pritzker Prize – one of the highest recognitions for architects. Zumthor is known for his approach to architecture, which assumes multisensual perception. While some have...</summary>
   <author>
      <name>Mikołaj Jarosz</name>
      
   </author>
         <category term="ROOM ACOUSTIC DESIGN IN PRACTICE" scheme="http://www.sixapart.com/ns/types#category" />
   
   
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      <![CDATA[<img alt="zumthor460-283.jpg" src="http://www.acousticbulletin.com/EN/zumthor460-283.jpg" width="460" height="283" />

<a href="http://en.wikipedia.org/wiki/Peter_Zumthor">Peter Zumthor</a>, Swiss architect, sometimes called “the poet of the silence”, was awarded a Pritzker Prize – one of the highest recognitions for architects. Zumthor is known for his approach to architecture, which assumes multisensual perception. While some have called his architecture quiet, his buildings masterfully assert their presence, engaging many of our senses, not just our sight but also our senses of touch, hearing and smell.

]]>
      <![CDATA[In Pritzker Prize Jury Citation we can read:
“His buildings have a commanding presence, yet they prove the power of judicious intervention, showing us again and again that modesty in approach and boldness in overall result are not mutually exclusive. Humility resides alongside strength. While some have called his architecture quiet, his buildings masterfully assert their presence, engaging many of our senses, not just our sight but also our senses of touch, hearing and smell.”
The eye, the ear, the mind … The room comfort has different dimensions.  Peter Zumthor himself, said in an interview for Forum weekly:
“I’m experiencing architecture like everybody. I feel its atmosphere composed of light, shadow, sound and touch sensation. This is obviously nothing new under the sun. We perceive atmosphere of good architecture the same way that we use to experience beloved places of our childhood. Sight is foreground, but hearing for instance, build its background. All senses are important in process of perception.”

To visit Pritzker Prize site click<a href="http://www.pritzkerprize.com/laureates/2009/index.html">here</a>
To watch video about Peter Zumthor's thermal bath in Vals click <a href="http://www.youtube.com/watch?v=w7v-wozHSO8&feature=related">here</a>]]>
   </content>
</entry>
<entry>
   <title>NOISE and TEMPORARY DEAFNESS</title>
   <link rel="alternate" type="text/html" href="http://www.acousticbulletin.com/EN/2009/05/noise_and_temporary_deafness.html" />
   <id>tag:www.acousticbulletin.com,2009:/EN//2.469</id>
   
   <published>2009-05-07T12:22:51Z</published>
   <updated>2009-05-07T13:08:25Z</updated>
   
   <summary> Each of us exposed to noise of certain level will suffer so called Temporary Threshold Shift (TTS) – that is in fact temporary partial hearing loss. The TTS level and its duration depends on level of the noise, time...</summary>
   <author>
      <name>Mikołaj Jarosz</name>
      
   </author>
         <category term="RESEARCH" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.acousticbulletin.com/EN/">
      <![CDATA[<img alt="czo%C5%82g320-240.jpg" src="http://www.acousticbulletin.com/EN/czo%C5%82g320-240.jpg" width="320" height="240" />
Each of us exposed to noise of certain level will suffer so called Temporary Threshold Shift (TTS) – that is in fact temporary partial hearing loss. The TTS level and its duration depends on level of the noise, time of exposure and noise frequency band. There is no need to visit military firing ground to experience it – just go to the primary school in your neighborhood! Noise levels (Leq) measured in primary schools corridors very often varies between 80 and 90 dBA. Recently prepared simulation program shows that 20 min exposition for noise of Leq=88 dBA cause TTS of 20-24 dBA and hearing needs 165 min of rest for full recovery.]]>
      <![CDATA[<img alt="TTS420_246.bmp" src="http://www.acousticbulletin.com/EN/TTS420_246.bmp" width="422" height="246" />

Specialists from <a href="www.multimed.org">Multimedia Systems Department</a> of Gdańsk University of Technology and <a href="www.ifps.org.pl">Institute of Physiology and Pathology of Hearing</a> in Warsaw prepared a simulation software that can predict TTS level and recovery time in relation to noise exposure. Software is designed as an internet tool where everybody can upload sound files (MP3 or WAV format) recorded in specific individual environment. After putting in information about real sound level measured during recording, it’s possible to start simulation showing how strong is noise impact on hearing capabilities in this particular case.
Simulation is accesible <a href="http://153.19.49.7:82/~dozymetr/index.php ">here </a>]]>
   </content>
</entry>
<entry>
   <title>Open-plan offices - An intervention study</title>
   <link rel="alternate" type="text/html" href="http://www.acousticbulletin.com/EN/2009/04/openplan_offices_an_interventi.html" />
   <id>tag:www.acousticbulletin.com,2009:/EN//2.448</id>
   
   <published>2009-04-06T18:20:59Z</published>
   <updated>2009-04-27T14:03:31Z</updated>
   
   <summary> The increased number of people working in open-plan offices has revealed the lack of knowledge regarding how to design an acoustical environment that’s supporting the activities going on there. Challenges in open-plan office design are to create an environment...</summary>
   <author>
      <name>Marc Janssen</name>
      <uri>http://www.ecophon.com</uri>
   </author>
         <category term="- OFFICES" scheme="http://www.sixapart.com/ns/types#category" />
         <category term="RESEARCH" scheme="http://www.sixapart.com/ns/types#category" />
   
   
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      <![CDATA[<img alt="NICe.gif" src="http://www.acousticbulletin.com/EN/NICe.gif" width="448" height="57" />

The increased number of people working in open-plan offices has <strong>revealed the lack of knowledge regarding how to design an acoustical environment</strong> that’s supporting the activities going on there. Challenges in open-plan office design are to create an environment <strong>both for concentration and communication </strong>without disturbances between different working groups. In a <a href="http://www.nordicinnovation.net/">Nordic Innovation Centre </a>project the acoustic conditions in five open-plan offices have been investigated. The offices were situated in Sweden, Denmark, Norway and Finland.
]]>
      The purpose of the project is to identify room acoustic descriptors that are suitable for evaluation and design and that are related to the subjective impression of the acoustic conditions. Several room acoustic parameters were measured in the five offices related to attributes like reverberance, speech clarity, auditory strength and spatial decay. The measurements were accompanied by inquiries among the staff. The worst case offices from an acoustical point were acoustically refurbished. Measurements and inquiries were performed once more after the refurbishments.

The final report is planned to be finished before this summer.  The results will be valuable as background information for the on going work within ISO WG 19 dealing with a third part of ISO 3382: Acoustics — Measurement of room acoustic parameters — Part 3: Open plan offices.

Acoustic Bulletin will provide you with further knowledge later on.

   </content>
</entry>

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